IGS 2015: Ajeto Glassworks, Lindava
Datum narození/Birthdate: *29. 4. 1957
Země původu/Country of origin: Panama / Panama
Země současného pobytu/Country of present residence: Panama / Panama
1979 | Rhode Island School of Design, Graphic Design and Cinematography, BFA |
Od/from 1987 | Pilchuck Glass School, ryté sklo a skleněné tavenice/engraving and glass casting, člen Mezinárodní rady/International Council Member |
University of Panama, architektura/architecture | |
École des Beaux-Arts in Paris, kresba/drawing |
2014 | Galería Mateo Sariel, Recent work, Panama |
2013 | Mary-Anne Martin/Fine Art, Metates, New York |
2011–2012 | Museum of Art Fort Lauderdale, Primordial: Paintings and Sculpture by Isabel De Obaldia, retrospektiva/retrospective, Fort Lauderdale |
2010 | Galería Mateo Sariel, Communion with Beasts, Panama |
2009 | Corning Museum of Glass, Rakow Commission, Corning |
2008 | Mary-Anne Martin/Fine Art, Unearthed, New York |
2007 | Galería Mateo Sariel, Prehistórica, Panama |
2004 | Mary-Anne Martin/Fine Art, New Work, New York |
2003 | Museo de Arte en Vidrio de Alcorcón, Transfiguraciones, Madrid |
Museo de Arte Contemporáneo, Fragmentos de Guerreros, Panama | |
2001 | Mary-Anne Martin/Fine Art, Torsos, New York |
1999 | Mary-Anne Martin/Fine Art, Captive Spirits, New York |
1998 | Elite Gallery, Miami |
1997 | Mary-Anne martin/Fine Art, Beasts and Men, New York |
Galería Arteconsult, Obras Recientes, óleos y dibujos, Panama | |
1996 | Elite Gallery, Miami |
1995 | Centro Wilfredo Lam, La Habana |
1994 | Galería Museum, Los Conjuros del Silencio, Panama |
1993 | Museo de Arte Contemporáneo, Vidrios, Panama |
1990 | Galería Arteconsult, Los Veedores, Panama |
Galería Habitante, Iconografía de una larga pesadilla, Panama | |
1989 | Museo de Arte Contémporáneo, Maniobras, Panama |
1986 | Museo de Arte Contémporáneo, Marina y los amigos de Selba, Panama |
1985 | Galería Arteconsult, Panama |
1981 | Museo de Arte Contemporáneo, Panama |
1980 | Galería Arteconsult, Panama |
1978 | Galería El Sotano de Panarte, Panama |
1977 | Galería Etcétera, Panama |
1997–2014 | Mary-Anne Martin/Fine Art, The ADAA Art Show, New York |
2002–2013 | Mary-Anne Martin/Fine Art, Art Basel /Miami |
2013 | Museum of American Glass, Wheaton Glass: The Art of the Fellowship, Millville |
IDB Cultural Center, Perceptive Strokes: Women Artists of Panama, Washington | |
2012 | Frederik Meijer Park, Body Double: The Figure in Contemporary Sculpture, |
Grand rapids | |
2008 | Reconsidering Color: Postmodern Classical II, New York |
2006 | Wheaton Arts, Creative Glass Center of America “Fellows”, Millville |
2004 | Museum of Latin American Art, A Woman’s Touch, Long Beach |
2003 | Crystalex, VIII International Glass Symposium, Nový Bor |
Maison de l’Amerique Latine de Monaco, Contemporary Art from Panama, Monaco | |
Museo de arte y Diseño, In-Tangible, San José | |
2002 | Galeria Lucia de la Puente, Lima |
Taipei Fine Arts Museum, Contemporary Art from Central American Isthmus, Taipei | |
Galeria Espacio, XII Muestra de Pintura y Escultura Latinoamericana”, San Salvador | |
Huldufólk, Pilchuck | |
Nohra Haime Gallery, From Stone to Foam, New York | |
Art Istmo, San José | |
1997–2002 | Mary-Anne Martin/Fine Art, Art Miami |
2001 | Salem Art Association, A Glass Odyssey, Art on the Cutting Edge, Salem |
2001 | Casa America, Panamá Contempóraneo: 15 Artistas Panameños, Madrid |
2000 | Instituto Italo- Latinoamericano, Panamá Contempóraneo: 15 Artistas Panameños, Roma |
Galeria Espacio, Muestra de Pintura y Escultura Latinoamericana, San Salvador | |
1999 | Austin Museum of Art, Holding Light: Contemporary Glass Sculpture, Austin |
Mary-Anne Martin/Fine Art, FIAC, Paris | |
Glass Art Gallery, Engraved Glass- International Contemporary Artists, London | |
International Expo 2, G.A.S. (Glass Art Society), Tampa | |
Mujeres en las Artes, Tegucigalpa | |
1998 | Bienal Internacional de Arte de Cumaná, Venezuela |
Primera Bienal de Pintura del Istmo Centroamericano | |
Americas Society, Cross Currents, Contemporary Painting from Panama, 1968- 1998, New York / Bass Museum, Miami | |
1997 | I Bienal Iberoamericana de Lima, Lima |
V Salón de dibujo de Santo Domingo, Santo Domingo | |
Museo de Arte Contemporáneo, Arte Panameño Hoy II, Santiago | |
1996 | 1st International Symposium of Engraved Glass, Kamenický Šenov |
Venezia Aperto Vetro, Venezia | |
III Bienal del Caribe y Centroamérica, Santo Domingo | |
Casa de América, Contemporary Art of Panama, Madrid | |
1995 | World Bank, Woman's View: Equality, Development and Peace, Washington |
1994 | Hokkaido Museum of Modern Art, World Glass Now '94, Sapporo |
1993 | Bardibukk Glass Symposium, Kaposvar |
Museum of the Arts of the Americas, Paintings of the Caribbean and Central America, OAS, Washington | |
Museum of Modern Art, 7 Artistas Panameños, Santo Domingo | |
1992 | Galería Metropolitana, Imágen y Ritual, 4 Pintores Panameños, Quito |
I Feria Iberoamericana de Arte, Caracas | |
I Bienal del Caribe y Centroamérica, Santo Domingo | |
1991 | Crystalex, IV International Glass Symposium, Nový Bor |
X Bienal de Valparaíso, Chile | |
Davidson Gallery, Seattle, Washington | |
Opus Gallery , Miami | |
Museo La Tertulia, Nueva Pintura Bolivariana, Santiago de Cali | |
La Generación Emergente, Nagoya | |
1989 | The Drawing Center, New York |
Galería Juan de Juanes, Alicante | |
1987 | I Bienal Internacional de Pintura Contémporanea, Cuenca |
1986 | II Bienal de la Habana, La Habana |
1985 | Nohra Haime Gallery, New York |
1983 | VI Bienal de San Juan del Grabado Latinoamericano, Puerto Rico |
1978 | I Bienal Italo Latinoamericana, Roma |
Účast jako hostující umělec při příležitosti několika mezinárodních malířských, sochařských a sklářských sympozií stejně jako na přehlídkách současného umění/participation as a guest artist at several international painting, sculpture and glass symposiums well as survey shows of contemporary art.
Poslední tři roky pracuje na sérii plastik inspirovaných předkolumbovskými „metates“/For the past three years she has been working on a series of sculptures inspired on the Pre-Columbian “metates”.
2009 | Rakow Commission, Corning Museum of Glass, výhra/win |
2006 | Wheaton Arts and Cultural Center v/in Millville, postgraduál/fellowship, zde se vrátila k vytváření rozměrných tavenic, které byly poté převezeny do Panamy k vyleštění a rytí/she returns there to cast large-scale works which are then shipped to Panama for polishing and engraving |